Dealing with Colonial Past
The Image of the British Rule in India in the 21st Century Hindi Cinema
DOI:
https://doi.org/10.12797/Politeja.16.2019.59.08Słowa kluczowe:
India, Bollywood, Colonization, British RajAbstrakt
This paper is dedicated to reconstructing the image of the British colonial rule in India in modern Hindi cinema. The main stress in the analysis is laid upon the depiction of the political and cultural impact of the British rule on common Indian people, as well as the colonizers’ attitude towards the independence movement. Consequently, the author intends to enquire, how movies made after 2000 – among which Lagaan: Once Upon a Time in India (2001), Mangal Pandey: The Rising (2005), Water (2005) and Rang De Basanti (2006) are given special attention – deal with the difficult colonial past from an over 50-year-long perspective. Moreover, the author explains, how modern Hindi cinema shapes Indian viewers’ opinions on the British rule, intending to strengthen their patriotic feelings and national pride.
Pobrania
Bibliografia
Basu M., “Rang De Basanti: The Solvent Brown and Other Imperial Colors”, in R.B. Mehta, R.V. Pandharipande (eds.), Bollywood and Globalization. Indian Popular Cinema, Nation, and Diaspora, London 2011.
View in Google Scholar
Bender J.C., The 1857 Indian Uprising and the British Empire, Cambridge 2016, https://doi.org/10.1017/CBO9781316471463. DOI: https://doi.org/10.1017/CBO9781316471463
View in Google Scholar
Bhattacharya N., Hindi Cinema. Repeating the Subject, London 2013, https://doi.org/10.4324/9780203084175. DOI: https://doi.org/10.4324/9780203084175
View in Google Scholar
Chakravarty S.S., National Identity in Indian Popular Cinema, 1947-1987, Austin 1993.
View in Google Scholar
Dayal S., Dream Machine. Realism and Fantasy in Hindi Cinema, Philadelphia 2015. DOI: https://doi.org/10.2307/j.ctvrdf3wn
View in Google Scholar
Dwyer R., Bollywood’s India. Hindi Cinema as a Guide to Contemporary India, London 2014.
View in Google Scholar
Dwyer R., Patel D., Cinema India. The Visual Culture of Hindi Film, New Brunswick 2002.
View in Google Scholar
Gaur I.D., Martyr as Bridegroom. A Folk Representation of Bhagat Singh, New Delhi 2008.
View in Google Scholar
Gopalan L., Cinema of Interruptions. Action Genres in Contemporary Indian Cinema, London 2002. DOI: https://doi.org/10.5040/9781838710095
View in Google Scholar
Gupta O., Encyclopaedia of India, Pakistan and Bangladesh, vol. 3, New Delhi 2006.
View in Google Scholar
Harlan L., Religion and Rajput Women. The Ethic of Protection in Contemporary Narratives, Berkeley 1992.
View in Google Scholar
Hasan D., “Talking Back to ‘Bollywood’: Hindi Commercial Cinema in North-East India”, in S. Banaji (ed.), South Asian Media Cultures. Audiences, Representations, Contexts, London 2011. DOI: https://doi.org/10.2307/j.ctt1gxp8xj.5
View in Google Scholar
Kipling R., Gunga Din and Other Favorite Poems, New York 1990.
View in Google Scholar
Kipling R., Kim, London 2000.
View in Google Scholar
Lichtner G., Bandyopadhyay S., “Indian Cinema and the Presentist Use of History: Conceptions of ‘Nationhood’ in Earth and Lagaan”, Asian Survey, vol. 48, no. 3 (2008), https://doi.org/10.1525/as.2008.48.3.431. DOI: https://doi.org/10.1525/as.2008.48.3.431
View in Google Scholar
MacKenzie S.P., Revolutionary Armies in the Modern Era. A Revisionist Approach, New York 1997.
View in Google Scholar
Nussbaum M.C., “Review”, in eadem, Philosophical Intervensions. Reviews 1986-2011, New York 2012, https://doi.org/10.1093/acprof:osobl/9780199777853.003.0020. DOI: https://doi.org/10.1093/acprof:osobl/9780199777853.003.0020
View in Google Scholar
Parciack R., Popular Hindi Cinema. Aesthetic Formations of the Seen and Unseen, London 2016, https://doi.org/10.4324/9781315659176. DOI: https://doi.org/10.4324/9781315659176
View in Google Scholar
Raghavendra M.K., The Politics of Hindi Cinema in the New Millennium. Bollywood and the Anglophone Indian Nation, New Delhi 2014, https://doi.org/10.1093/acprof:oso/9780199450565.001.0001. DOI: https://doi.org/10.1093/acprof:oso/9780199450565.001.0001
View in Google Scholar
Sharma S.D., India Marching. Reflections from a Nationalistic Perspective, Bloomington 2012.
View in Google Scholar
Singh U.K., “Penal Strategies and Political Resistance in Colonial and Independent India”, in K. Kannabiran, R. Singh (eds.), Challenging the Rule(s) of Law. Colonialism, Criminology and Human Rights in India, New Delhi 2008.
View in Google Scholar
Smith W.L., “Rāmāya’a Textual Traditions in Eastern India”, in M. Bose (ed.), The Rāmāya’a Revisited, New York 2004.
View in Google Scholar
Vasudevan R., “The Meanings of ‘Bollywood’”, in R. Dwyer, J. Pinto (eds.), Beyond the Boundaries of Bollywood. The Many Forms of Hindi Cinema, New Delhi 2012.
View in Google Scholar
Wagner K.A., The Great Fear of 1857. Rumours, Conspiracies and the Making of the Indian Uprising, Witney 2010.
View in Google Scholar
Wiemann D., “Teaming Multitudes – Lagaan and the Nation in Globality”, in A. Bartels, D. Wiemann (eds.), Global Fragments. (Dis)Orientation in the New World Order, Amsterdam 2007, https://doi.org/10.1163/9789401204224_012. DOI: https://doi.org/10.1163/9789401204224_012
View in Google Scholar
Pobrania
Opublikowane
Numer
Dział
Licencja
Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.
