Indian spooks: What Hindi Comic Books Readers Are Afraid of
DOI:
https://doi.org/10.12797/Politeja.16.2019.59.11Słowa kluczowe:
comic book, graphic novel, horror, India, Hindi, Raj ComicsAbstrakt
The comic book industry in India began in 1950. Back then leading American comic books like The Phantom, Flash Gordon and Rip Kirby started to be published in India and translated into local languages. Indian youngsters in no time became interested in the new medium, especially in superhero comics known from the American popular culture. The success of these translations encouraged local publishers and cartoonists to create Indian themed comic books, set in India with Indian heroes (and superheroes) − even though Indian comics were still strongly influenced by American ones, mainly in terms of esthetics. However, around 1950, American comics publishing companies also tried to attract adult readers by presenting more adult content in a form of horror and thriller stories. Publishers in India quickly adapted this trend launching a very popular comic book series in Hindi of thrill, horror and suspense. In this way horror – till then almost completely absent from Indian literature and popular culture – was introduced to the local audience. The question remains, how different are those local spooks from the American ones and finally: what are Indians afraid of?
Pobrania
Bibliografia
Comic books:
View in Google Scholar
O’Barr J., The Crow, Detroit 2011.
View in Google Scholar
amībā, rāj kāmiks, saṁkhyā 563, dillī.
View in Google Scholar
bhūt mahal, manoj kāmiks, dillī.
View in Google Scholar
ḍrākyulā bālak, manoj kāmiks, dillī.
View in Google Scholar
hatyārī ṭren, rāj kāmiks, saṁkhyā 64, dillī.
View in Google Scholar
kadam-sṭuḍiyo, ḍrākyulā dillī meṁ, manoj kāmiks, saṁkhyā 722, dillī.
View in Google Scholar
nājrā khan, dilīp kadam, umākānt kānḍe, ḍrākyulā āyā maut lāyā, manoj kāmiks, saṁkhyā 16, dillī.
View in Google Scholar
nājrā khan, dilīp kadam, umākānt kānḍe, ḍrākyulā kā pretjāl, manoj kāmiks, saṁkhyā 10, dillī.
View in Google Scholar
nājrā khān, taufik bhāī, kadam-sṭuḍiyo, phir āyā ḍrākyulā, manoj kāmiks, saṁkhyā 6, dillī.
View in Google Scholar
taruṇ kumār vāhī, kāṁv kāṁv, rāj kāmiks, saṁkhyā 651, dillī.
View in Google Scholar
vinod kumār, pradīp sonī, bavāl, rāj kāmiks, saṁkhyā 542, dillī.
View in Google Scholar
vinay mohan, miḍve, narbhakṣī camgādaṛ, forṭ kāmiks, saṁkhyā 16, dillī.
View in Google Scholar
pret ankal, rāj kāmiks dillī.
View in Google Scholar
rājā, surendr suman, cīkhtā kabristān, rāj kāmiks, saṁkhyā 337, dillī.
View in Google Scholar
maheś datt śarmā, mahāpiśācinī, forṭ kāmiks, saṁkhyā 13, dillī.
View in Google Scholar
taruṇ kumār vāhī, sañjay aṣṭputre, khūn sane hāth, rāj kāmiks, saṁkhyā 473, dillī.
View in Google Scholar
taruṇ kumār vāhī, vivek mohan, bhūt se baṛā murdā, rāj kāmiks saṁkhyā 454, dillī.
View in Google Scholar
taruṇ kumār vāhī, vivek mohan, nareś kumār, śav vāhan, rāj kāmiks, saṁkhyā 664, dillī.
View in Google Scholar
taruṇ kumār vāhī, pratāp mulik, candū, zindā mar jā, rāj kāmiks, saṁkhyā 432, dillī.
View in Google Scholar
mīnu vāhī, rāhul va gopāl, bhayānak, rāj kāmiks, saṁkhyā 404, dillī.
View in Google Scholar
mīnū vāhī, taruṇ kumār vāhī, tahalkā, rāj kāmiks, saṁkhyā 14, dillī.
View in Google Scholar
Books and articles:
View in Google Scholar
Aamin S., “The Dark Side of The Comics That Redefined Hinduism”, The Atlantic, 30 December 2017.
View in Google Scholar
Balcerowicz P., Early Asceticism in India. Ājīvikism and Jainism, New York 2016, https://doi.org/10.4324/9781315726977. DOI: https://doi.org/10.4324/9781315726977
View in Google Scholar
Basham A.L., History and Doctrine of the Ājīvikas. A Vanished Indian Religion, Delhi 2002.
View in Google Scholar
Carroll N., “The Nature of Horror”, The Journal of Aesthetics and Art Criticism, vol. 46, no. 1 (1987), https://doi.org/10.2307/431308. DOI: https://doi.org/10.2307/431308
View in Google Scholar
McCloud S., Understanding Comics, New York 1994.Jones R.K., The Shudder Pulps: A History of the Weird Menace Magazines of the 1930s., Rockville 2007.
View in Google Scholar
Lopes P., “Culture and Stigma: Popular Culture and the Case of Comic Books”, Sociological Forum, vol. 21, no. 3 (September 2003), https://doi.org/10.1007/s11206-006-9022-6. DOI: https://doi.org/10.1007/s11206-006-9022-6
View in Google Scholar
McLain K., “Holy Superheroine: A Comic Book Interpretation of the Hindu Devī Māhātmya Scripture”, Bulletin of the School of Oriental and African Studies, University of London, vol. 71, no. 2, https://doi.org/10.1017/S0041977X08000554. DOI: https://doi.org/10.1017/S0041977X08000554
View in Google Scholar
Mitter P., “Punch” and Indian Cartoons: The Reception of a Transnational Phenomenon, in: Harder H., Mitter B. (eds.), Asian Punches. A Transcultural Affair, Heidelberg 2013. DOI: https://doi.org/10.1007/978-3-642-28607-0_3
View in Google Scholar
Lent J.A., Themes and Issues in Asian Cartooning. Cute, Cheap, Mad and Sexy, Bowling Green 1999.
View in Google Scholar
Pritchett F. W., The World of Amar Chitra Katha, In: L.A. Babb, S.S. Wadley (eds.), Media and the Transformation of Religion in South Asia, Delhi 1997, https://doi.org/10.9783/9781512800180-007. DOI: https://doi.org/10.9783/9781512800180-007
View in Google Scholar
Pobrania
Opublikowane
Numer
Dział
Licencja

Utwór dostępny jest na licencji Creative Commons Uznanie autorstwa – Użycie niekomercyjne – Bez utworów zależnych 4.0 Międzynarodowe.
