Vol. 8 No. 2(16) (2024)

View Vol. 8 No. 2(16) (2024)
Published: 2024-12-31

Front Matter

Introduction

Articles

  • Whose World Music?

    Matthew Noone
    11-26
    DOI: https://doi.org/10.12797/RM.02.2024.16.01

  • Tango: An Introduction To Tango-related Topics

    Ewa Stala
    27-43
    DOI: https://doi.org/10.12797/RM.02.2024.16.02

  • The Journey of Italian Belly Dancers

    Perla Téllez Elias Nemer
    44-74
    DOI: https://doi.org/10.12797/RM.02.2024.16.03

  • Peripheral Electronic Music An Ethnographic Study of Rock Doido Parties in Northern Brazil

    Manoel Magalhães
    75-90
    DOI: https://doi.org/10.12797/RM.02.2024.16.04

  • Glocalising a Subculture Japanese DJs in the Local Goth Community

    Kamila Grabowska-Derlatka
    91-112
    DOI: https://doi.org/10.12797/RM.02.2024.16.05

  • Fado – the Space of Intercultural Dialogue between Poland and Portugal

    Lidia Majda
    113-132
    DOI: https://doi.org/10.12797/RM.02.2024.16.06

  • Flamenco Dance Academies in Seville – a Transcultural Exchange Field

    Jadwiga Romanowska
    133-144
    DOI: https://doi.org/10.12797/RM.02.2024.16.07

Essay

  • “Le Musiciste” Study Days for an Education in and the Spread of a Stolen Story

    Milena Gammaitoni
    145-157
    DOI: https://doi.org/10.12797/RM.02.2024.16.08

Glossa

  • Musical Worlds of Sara Tavares

    Karolina Golemo
    158-168
    DOI: https://doi.org/10.12797/RM.02.2024.16.09

Reviews

Back Matter