O cineasta e a cidade: Manoel de Oliveira e O Porto
DOI:
https://doi.org/10.12797/SI.13.2014.13.40Keywords:
Manoel de Oliveira, city, cinema, architecture, PortoAbstract
THE FILM DIRECTOR AND THE CITY: MANOEL DE OLIVEIRA AND PORTO
Manoel de Oliveira brings about a strong, inexplicable and a connection impossible to define to Porto. He casts, in Douro Faina Fluvial (1931), Aniki‑Bóbó (1942), O Pintor e a Cidade (1956), and Porto da minha Infância (2001) a special relationship between this city and the universe of movies. The Porto of Manoel de Oliveira becomes a filmic discourse, an aesthetic journey without boundaries between fiction and documentary. It’s a city established as the architecture of the film becoming the character, title, maximum space of architectural and cinematic reflection. It is a labyrinthine Porto of images, a city transformed by the multiple film cameras from a single Master.
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Copyright (c) 2014 Anabela Branco de Oliveira
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