The So-called Vyaṅgyavyākhyā: Selected Remarks for Reading It Philologically—: A Review of K. G. Paulose (ed.). Vyaṅgyavyākhyā: The Aesthetics of Dhvani in Theatre. pp. xvi + 546. New Delhi: Rashtriya Sanskrit Sansthan–D.K. Printworld. 2013

Christophe Vielle

doi:10.12797/CIS.19.2017.01.07

The So-called Vyaṅgyavyākhyā: Selected Remarks for Reading It Philologically—

A Review of K. G. Paulose (ed.). Vyaṅgyavyākhyā: The Aesthetics of Dhvani in Theatre. pp. xvi + 546. New Delhi: Rashtriya Sanskrit Sansthan–D.K. Printworld. 2013

Authors

Christophe Vielle

DOI:

https://doi.org/10.12797/CIS.19.2017.01.07

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Published

2017-06-30

Issue

Vol. 19 No. 1 (2017): Theatrical and Ritual Boundaries in South Asia. Part I

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Reviews

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This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

How to Cite

“The So-Called Vyaṅgyavyākhyā: Selected Remarks for Reading It Philologically—: A Review of K. G. Paulose (ed.). Vyaṅgyavyākhyā: The Aesthetics of Dhvani in Theatre. Pp. Xvi + 546. New Delhi: Rashtriya Sanskrit Sansthan–D.K. Printworld. 2013”. 2017. Cracow Indological Studies 19 (1): 139-53. https://doi.org/10.12797/CIS.19.2017.01.07.