Vol. 19 No. 1 (2017): Theatrical and Ritual Boundaries in South Asia. Part I

edited by Elisa Ganser and Ewa Dębicka-Borek

Published: 2017-06-30

Introduction

• Theatrical and Ritual Boundaries in South Asia An Introductory Essay

  Elisa Ganser

  vii-xxiv

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.01

• Overview of the Volume. Part I

  Ewa Dębicka-Borek

  xxv-xxix

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.02

Articles

• Avadhāna: Between Art of Attentiveness and Ritual of Memory

  Hermina Cielas

  1-29

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.03

• The Theology of Performance and the Vedic Rituals Rethinking Theatricality and Performativity as a Discourse

  Marianna Ferrara

  25-52

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.04

• Dancing the Ritual on the Kūṭiyāṭṭam Theatre Stage

  Virginie Johan

  59-81

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.05

• Ritual Performances in the Nāṭyaśāstra I Ritual Items

  Thomas Kintaert

  83-136

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.06

Reviews

• The So-called Vyaṅgyavyākhyā: Selected Remarks for Reading It Philologically— A Review of K. G. Paulose (ed.). Vyaṅgyavyākhyā: The Aesthetics of Dhvani in Theatre. pp. xvi + 546. New Delhi: Rashtriya Sanskrit Sansthan–D.K. Printworld. 2013

  Christophe Vielle

  139-153

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  DOI: https://doi.org/10.12797/CIS.19.2017.01.07