Czartoryski & Torlonia: A Collection of Roman Marble Statues in the Princes Czartoryski Museum
DOI:
https://doi.org/10.12797/SAAC.23.2019.23.12Keywords:
Roman sculptures, museum collection, Venus Medici, Princes Czartoryski Museum, Torlonia collectionAbstract
The objective of the article is to discuss the history of the acquiring of marble sculptures by Prince Władysław Czartoryski during his two stays in Italy: in Naples in 1889 and in Rome in 1891, based on preserved archival documents. The statues include such exquisite examples as a sculpture of Venus Medici from the beginning of the 1st century AD, as well as examples of compilations of ancient fragments that supposedly had previously belonged to the Roman Torlonia collection. Formal analysis of individual objects is expanded upon with information related to conservations they have been subject to.
PlumX Metrics of this article
References
Barbanera M. and Freccero A. 2008. Collezione di antichita di Palazzo Lancellotti ai Coronari. Rome.
Bieńkowski P. 1919. O rzeźbach klasycznych z marmuru w Krakowie. Prace Komisji H.S. PAU 1, 236-297.
Bol P. C. 1981. Liebieghaus – Museum alter Plastic. Guide to the Collection. Frankfurt am Main.
Carinci F. (ed.) 1990. Catalogo della Galleria Colonna in Roma. Busto Arsizio.
Fabretti R. 1699. Inscriptionum antiquarum quae aedibus paternis asservantur explicatio at additamentum. Rome.
Felletti Maj B. M. 1951. Afrodite Pudica, saggio d’arte ellenistica. ACl 3, 33-65.
Gasparri C. (ed.) 1980. Materiali per servire allo studio del Museo Torlonia di scultura antica. Rome.
Gasparri C. and Ghiandoni O. 1994. Lo studio Cavaceppi e le collezioni Torlonia. Roma.
Gorzelany D. 2014. Europejska moda kolekcjonerska a idea polskiego „zakładu naukowego”. Zbiór sztuki starożytnej księcia Władysława Czartoryskiego. In K. Kłudkiewicz and M. Menfel (eds), Miłośnictwo rzeczy. Studia z historii kolekcjonerstwa na ziemiach polskich w XIX wieku, 240-261. Warsaw.
Gorzelany D. 2015. The Post-Pulawy Art Collection Built Up by Prince Władysław Czartoryski. In J. Wałek (ed.), Otwieram Świątynię Pamięci. Zbiory Czartoryskich a narodziny idei museum w Polsce/I Open the Temple of Memory. The Czartoryski Collection and the Emergence of the Idea of Museum in Poland, 158-169. Łódź.
Hallett Ch. H. 2005. The Roman Nude. Heroic Portrait Statuary 200 BCAD 300. Oxford.
Havelock Ch. M. 1995. The Aphrodite of Knidos and Her Successors. A Historical Review of the Female Nude in Greek Art. Ann Arbor. https://doi.org/10.3998/mpub.14837.
Iasiello I. 2017. Napoli da capital e periferia. Archeologia e mercato antiquario in Campania nella seconda metà dell’Ottocento. Naples.
Kaltsas N. 2002. Sculpture in the National Archaeological Museum, Athens. Athens.
Kansteiner S. 2017. Pseudoantike Skulptur. II. Klassizistische Statuen aus antiker und nachantiker Zeit. Berlin-Boston. https://doi.org/10.1515/9783110521290.
Klöckner A. 1997. Poseidon und Neptun: zur Rezeption griechischer Götterbilder in der römischen Kunst. Saarbrücken.
Mikocki T. 1994. Corpus Signorum Imperii Romani. Volume III.1. Warsaw.
Mikocki T. 1999. Corpus Signorum Imperii Romani. Volume III.2. Warsaw.
Oehler H. 1961. Untersuchungen zu den männlichen römischen Mantelstatuen. Berlin.
Sadurska A. (ed.) 1990. Corpus Signorum Imperii Romani Pologne, volumen II.1: Les monuments funéraires:autels, urnes, stéles, divers dans les collections polonaises. Warsaw.
Weber M. 2015. Zur Geschichte der Athena Velletri: Ikonographie und Stil. Thetis 21, 24-56.
Wegner M., Daltrop G., Hausmann U. 1966. Das römische Herrschenbildnis II.1: Die Flavier. Berlin.
Zanker P. 1983. Zur Bildnisrepräsentation führender Männer in mittelitalischen und campanischen Städten zur Zeit der späten Republik und der julisch-claudischen Kaiser. In: Les „bourgeoisies“ municipales italiennes aux IIe et Ier siècles av. J.-C., 251-266. Naples. https://doi.org/10.4000/books.pcjb.1393.
Visconti C. L. 1885. I monumenti del Museo Torlonia riprodotti con la fototipia. Rome.
Downloads
Published
How to Cite
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.