Transcriação no "Sermões" de Júlio Bressane: interações de literatura, pintura e oralidade
DOI:
https://doi.org/10.12797/SI.18.2019.18.06Keywords:
Júlio Bressane, Antonio Vieira, transcreation, intersemiotic translation, orality’s cinemaAbstract
Transcreation at Sermões by Júlio Bressane: Interactions of Literature, Paintings and Orality
This article analyses some sequences of Sermões: A História de Antônio Vieira, film by Júlio Bressane released in 1989, discussing elements that repercute baroque’s vibration and vertigo, as well as opositions in filmaking style such as the presence of: sound and silence; overflow and emptiness etc. Intending to debate the transcreation process (CAMPOS, 1992) which makes Bressane’s film pass through literature and paintings, with an enphasize on oral poetry. The voice of Vieira with his prophecies and speechs leads the filmmaker to images offering a cartography of portuguese-brazilian litterature and culture.
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