Cultural Chronicles – Uncovering the Legacy of Oppressive Black Architecture in Memphis and Other Cities

Authors

DOI:

https://doi.org/10.12797/AdAmericam.25.2024.25.11

Keywords:

African American History, Architectural History and Housing

Abstract

Architectural structures and the spaces they create are not neutral; instead, they mirror the values and power dynamics of the societies in which they are constructed. This observation is particularly noticeable in the buildings African Americans inhabited throughout American history. Nevertheless, Black architecture has yet to be recognized as a culturally significant field within academia. To tackle this issue, this paper seeks to expand the architectural discourse by exploring what constitutes Black architecture. Specifically, we will investigate the histories of five houses that hold a particular place in African American historical architecture:
• The barrack,
• The slave cabin,
• The shotgun house,
• The housing projects,
• The Black suburban homes.
Our investigation will delve into the repercussions of each style, the societal goals in establishing each class, and the policies passed that instigated their creations. We will emphasize the connections between these styles and how each type has changed over time. This exploration will allow us to scrutinize Memphis’ architectural choices, placing them in the broader context of architectural trends at the national and regional levels. Exploring Black architecture’s evolution will also help us comprehend how architecture can contribute to racial inequality in our society. We aim to challenge the notion that architecture is only a symbol of beauty, shape, and form and instead recognize its potential to perpetuate subjugation, oppression, and control.

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Author Biography

  • Esosa Osayamwen, University of Pennsylvania, USA

    Is an Architectural Historian specializing in cultural resource management, oral histories, and exhibit design. With a master’s in architecture from the University of Massachusetts and a bachelor’s in Africana Studies and Architecture from Smith College, she has worked with the National Trust for Historic Preservation, Ancestry, the National Park Service, the Smithsonian Institution Archives, Tennessee Department of Transportation, and now Fort Knox’s U.S. Military Installation. Notably, she collaborated with the David Ruggles Center to install a plaque commemorating fugitive slave in Massachusetts. Currently, she is drafting National Register of Historic Places nominations on Reconstruction-era properties in Memphis, prioritizing the preservation of African American history and the built environment.

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Published

30-12-2024

How to Cite

Osayamwen, Esosa. “Cultural Chronicles – Uncovering the Legacy of Oppressive Black Architecture in Memphis and Other Cities”. Ad Americam, vol. 25, Dec. 2024, pp. 183-07, https://doi.org/10.12797/AdAmericam.25.2024.25.11.