The Editorial and Ideological Evolution of Nikos Kazantzakis’ Ascesis
DOI:
https://doi.org/10.12797/CC.28.2025.28.14Keywords:
Nikos Kazantzakis, Ascesis, 20th century Greek literature, Textual criticism, Philosophy of struggle, NihilismAbstract
The present article examines the editorial and ideological evolution of Nikos Kazantzakis’ Ascesis, focusing on the significant differences between its first edition (1927) and the extensively revised second edition (1945). While extant scholarship has predominantly focused on linguistic changes – most notably in the final section of Ascesis, the well-known “CREDO” – this study seeks to address a critical research gap by arguing that these revisions mark a far more significant transformation. The analysis draws on biographical sources and Kazantzakis’ correspondence as well as his political essays and philosophical influences (notably Nietzschean, Bergsonian, and Buddhist though) in order to contextualize Ascesis within the author’s philosophical development and evolving worldview. The study demonstrates how the work transitions from a politically charged, collectivist manifesto embedded in the ideological context of early 20th-century communist thought to a deeply personal and metaphysical text centered on existential struggle and ascent as well as a multifaceted engagement with nihilism. Special attention is given to the removal of overt political references, the addition of the “Silence” chapter, and the restructuring of the final “CREDO”, which collectively signal a shift from political engagement to lyrical-philosophical introspection. The findings indicate that Ascesis underwent not only a stylistic revision but a fundamental restructuring in Kazantzakis’ conception of spiritual struggle and in his Weltanschauung in general, all of which seemingly occurred in a considerably short time span. This evolution is indicative of the broader tensions between literature, ideology, and personal metaphysics in Kazantzakis’ works – the article contends that Ascesis should be read not as a lesser philosophical addition, but as a central work within the author’s repertoire. The study posits that Ascesis ultimately manifests as a lyrical expression of existential anguish and the will to struggle for its own sake, transcending ideological frameworks.
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