La novela intrahistórica: entre la postmemoria y la pophistoria
DOI:
https://doi.org/10.12797/SI.17.2018.17.10Keywords:
Historical Novel, Intrahistorical Novel, Postmemory, PophistoryAbstract
Intrahistorical Novel between Postmemory and Pophistory
This comparative study takes into account two books written by women: El violín de Auschwitz (1994) by Maria Àngels Anglada and La Tabla Esmeralda (2012) by Carla Montero. Both novels, despite almost twenty years between them, offer a series of common features. Their extraliterary referent falls into the same thematic field (Nazism, deportation and the Holocaust); both employ the same narrative modality (the presenceof the intradiegetic and homodiegetic narration includes another narration, extradiegetic and heterodiegetic, about the past); last but not least, both titles offer a ‘view from below’, carried out by fictional characters – which allows to suppose that the two novels belong to a subcategory of the intrahistoric novel.
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