Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)

Authors

DOI:

https://doi.org/10.12797/AdAmericam.22.2021.22.06

Keywords:

Native Americans, western, revisionist western, film, American film, film studies, Indigenous studies

Abstract

As argued by Wilcomb Washburn, no other ethnic group has been misrepresented in media and popular culture to such extent as the Native Americans (2010). Movies that shaped their image did so by crystallizing stereotypes and misconceptions, through which indigenous peoples have been perceived until the present day. Thomas Edison’s vignettes, early westerns, as well as subsequent motion pictures of the 1960s and 1970s strengthened the stereotypes of the vanishing Indians, bloodthirsty savages, and their noble alter ego. The 1990s brought about a revival of the western in its new, revisionist form, mainly due to the achievements of the American Indian Movement. This paper argues that the movie Thunderheart (1992) by Michael Apted — albeit belonging to that ostensibly revolutionary current — continues to reproduce various well established stereotypes in the portrayal of the Native Americans . It examines significantachievements of this partly liberal motion picture, as well as its failures and faults. Thisarticle argues that Thunderheart departs from traditional, dualistic portrayals of Native Americans as bloodthirsty and noble savages and manages to present a revisionist version of historical events; at the same time, it fails to omit numerous Hollywood clichés, such as stereotypical representation of native spirituality, formation of an “Indian identity”, and “othering” of the Native Americans, which contributes to their further alienation and cultural appropriation. This paper provides an insightful analysis of the movie, drawing on scholarship in the field of cultural and indigenous studies in order to lay bare the ambivalence towards indigenous people in the United States, that is reflected in the movie industry. Moreover, it indicates towards the commodification of native culture, as well as the perception of Native Americans as primitive and inferior, allowing to classify Thunderheartas an unfortunate product of colonialism.

Author Biography

Karolina Toka, University of Warsaw, Warsaw, Poland

Studies in the American Studies MA program at the American Studies Center, University of Warsaw. She is also pursuing a MA degree in Project Management at Warsaw School of Economics. Her research interests include anthropology, Native American studies, cultural and film criticism, race and gender studies. Erasmus+ scholar at Radboud University in the Netherlands in 2019 and a participant of the 18th Transatlantic Student Symposium The Legacy and Presence of Colonialism in the Transatlantic World, organized by Humboldt University, Oregon State University and University of Warsaw. Privately a travel enthusiast with a flair for photography, filmmaking and writing.

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Published

2021-03-28

How to Cite

Toka, K. . “Progression or Stagnancy? Portraying Native Americans in Michael Apted’s Thunderheart (1992)”. Ad Americam, vol. 22, Mar. 2021, pp. 87-100, doi:10.12797/AdAmericam.22.2021.22.06.

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