From Ipanema Across the Ocean – Brazil’s Image Abroad Through Music

Authors

DOI:

https://doi.org/10.12797/AdAmericam.24.2023.24.06

Keywords:

public diplomacy, soft power, international relations,, Brazil, music, foreign affairs

Abstract

Brazilian music carries strong characteristics of its people and has become one of the most recognizable features of the country abroad. In this study, I analyze how Brazil is pictured overseas by the means of music as an element of soft power of the country. Nonetheless, I bring attention to the importance of self-awareness of the Brazilian identity and its relations with the image that the country has abroad. I address the issue through analysis of the cases of Heitor Villa-Lobos, Carmem Miranda, bossa nova, and heavy metal. In this analysis, the role of the Brazilian Ministry of Foreign Affairs is also taken into account. I suggest that Oswald de Andrade’s anthropophagic idea can apply to the reflections of Brazilians towards their image abroad.

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Author Biography

Carlos Panek, Independent scholar

Is a Brazilian-Polish specialist in international cultural and scientific cooperation. A senior consultant in idealizing, developing, managing, and promoting the international collaboration between institutions with an emphasis on the LatAm and EU, having worked at the International Relations Office of the Jagiellonian University, the Polish National Agency for Academic Exchange and currently at the Department of Culture and National Heritage of the City of Kraków. He holds a Bachelor’s in History (specialization: Pedagogical) and a Master’s in Management (specialization: Management in the Public and Non-Government Sector) and two post-graduate degrees—in Rhetoric and Cultural Diplomacy. All these programs were completed at the Jagiellonian Universty in Kraków.

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Published

2023-11-29

How to Cite

Panek, C. “From Ipanema Across the Ocean – Brazil’s Image Abroad Through Music”. Ad Americam, vol. 24, Nov. 2023, pp. 83-99, doi:10.12797/AdAmericam.24.2023.24.06.

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