Creative Spaces where Cultures Meet: Between Theory and Practice
DOI:
https://doi.org/10.12797/Politeja.18.2021.74.09Keywords:
creative spaces where cultures meet, urban creativity, urban imagination, social changeAbstract
The aim of this paper is to explore the concept of creative spaces where cultures meet. The empirical material subjected to analysis consists of the results of interviews conducted with cultural managers. The qualitative analysis is extended by a sociological approach based on literature criticism and the analytical-synthetic method. The main question posed is how creativity is experienced by cultural managers who organize cultural events in specific spaces related to the concept of multicultural dialogue. Creativity is considered both as a subjective property and as a social construct that is context-dependent. The paper argues that norms and values influence the experience of urban creativity and that creative endeavors can influence the social and economic development of a city. The paper explores the relationship between culture and creativity in space and assesses its creative potential. In particular, the results may help to shape theoretical consensus on the function of creativity at intercultural meeting points in the process of social change.
Downloads
References
Adamczyk M., “Education in Late Adulthood as a Form of Social Participation of Older People”, in V. Mensikovs (ed.), Proceedings of the International Scientific Conferences of Faculty of Social Sciences of Daugavpils University. Materials of the International Scientific Conference, Daugavpils Universites Akademiskais apgads ‘Saule’, pp. 5-13, 2016.
Adamczyk M., “Factors Influencing the Ways of Organizing Life in Old Age in The Context of Social Exclusion Risk: The Case of Poland”, Entrepreneurship and Sustainability Issues, vol. 8, no. 4 (2021), pp. 418-430, https://doi.org/10.9770/jesi.2021.8.4(25).
Andres L., Chapain, C., “Integrating Cultural and Creative Industries into Local and Regional Development Strategies in Birmingham and Marseille: Towards Inclusive and Collaborative Governance?”, Regional Studies, vol. 47, no. 2 (2013), pp. 161-182, https://doi.org/10.1080/00343404.2011.644531.
Bandarin F., Hosagrahar J., Sailer A.F., “Why Development Needs Culture”, Journal of Cultural Heritage Management and Sustainable Development, vol. 1, no. 1 (2011), pp. 15- 25, https://doi.org/10.1108/20441261111129906.
Barron F., “The Disposition Toward Originality”, The Journal of Abnormal and Social Psychology, vol. 51, no. 3 (1955), pp. 478-485, https://doi.org/10.1037/h0048073.
Bauman Z., “Excess: An Obituary”, Parallax, vol. 7, no. 1 (2001), pp. 85-91, https://doi.org/10.1080/13534640010015962.
Betlej A., Społeczeństwo sieciowe – potencjały zmian i ambiwalentne efekty, Lublin 2020.
Butsenko B., “Three L.”, in Eastern Partnership Cultural Book, vol. 1, Lublin 2011.
Caves R.E., Creative Industries: Contracts Between Art and Commerce, Cambridge 2000.
Ciacci A., Ivaldi E., González-Relaño R.A., “Partially Non-Compensatory Method to Measure the Smart and Sustainable Level of Italian Municipalities”, Sustainability, vol. 13, no. 1. (2021), https://doi.org/10.3390/su13010435.
Cooke P., Schwartz D. (eds.), Creative Regions: Technology, Culture and Knowledge Entrepreneurship, London 2007, https://doi.org/10.4324/9780203926703.
Cunningham S., “From Cultural to Creative Industries: Theory, Industry and Policy Implications”, Quarterly Journal of Media Research and Resources, vol. 102 (2002), pp. 54-65, https://doi.org/10.1177/1329878X0210200107.
Denys M., Lublin między wojnami. Opowieść o życiu miasta 1918-1939, Łódź 2010.
D’Orville H., “The Relationship Between Sustainability and Creativity”, CADMUS, vol. 4, no. 1 (2021), pp. 65-73.
Eagleton T., The Idea of Culture, New Jersey 2000.
Fesel B., Söndermann M., Culture and Creative Industries in Germany, Bonn 2007.
Florida R., Cities and the Creative Class, New York 2005.
Florida R., Cities and the Creative Class, New York–London 2005, https://doi.org/10.4324/9780203997673.
Florida R., “The Economic Geography of Talent”, Annals of the Association of American Geographers, vol. 92, no. 4 (2002), pp. 743-755, https://doi.org/10.1111/1467-8306.00314.
Florida R., The Rise of the Creative Class, New York 2002.
Florida R., The Rise of the Creative Class: And How It’s Transforming Work, Leisure, Community and Everyday Life, New York 2002.
Fusch P., Lawrence L.N., “Are We There Yet? Data Saturation in Qualitative Research”, The Qualitative Report, vol. 20, no. 9 (2015), pp. 1408-1416, https://doi.org/10.46743/2160-3715/2015.2281.
Garnham N., From Cultural to Creative Industries: An Analysis of The Implications of the ‘Creative Industries’ Approach to Arts and Media Policy Making in The United Kingdom, “International Journal of Cultural Policy”, vol. 11, no. 1 (2005), pp. 5-29, https://doi.org/10.1080/10286630500067606.
Geertz C., Dense Description – Towards an Interpretative Theory of Culture, in M. Kempny, E. Nowicka (eds.), Culture Research: Elements of Anthropological Theory, Warsaw 2003.
Glaeser E., Kourtit K., Nijkamp P. (eds.), Urban Empires, New York 2020, https://doi.org/10.4324/9780429469978.
Gondek N., “Methodological Foundations of The Language of Metaphysics”, Philosofija. Sociologija, vol. 3, no. 31 (2020), pp. 242-249, https://doi.org/10.6001/fil-soc.v31i3.4272.
Henry C. (ed.), Entrepreneurship in the Creative Industries: An International Perspective, Cheltenham 2007.
Hesmondhalgh D., Baker S., Creative Labour: Media Work in Three Cultural Industries, New York 2011.
Hofverberg H., Kronlid D.O., Östman L., “Crafting Sustainability? An Explorative Study of Craft in Three Countercultures as a Learning Path for The Future”, Nordic Journal of Science and Technology Studies, vol. 5, no. 2 (2017), pp. 9-21, https://doi.org/10.5324/njsts.v5i2.2314.
Jałowiecki B., Społeczna przestrzeń metropolii, Warszawa 2000.
Jałowiecki B., Społeczne wytwarzanie przestrzeni, Warszawa 1988.
Jiang Y.F., Qian Q.L., Zhang X.L., Chen Y.B., “The Formation of Government-Oriented Creative Community and its Driving Mechanisms: A Case Study of the 39° Space Art Creative Community in Foshan, China”, Sustainability, vol. 11, no. 3 (2019), https://doi.org/10.3390/su11030625.
Kačerauskas T., “Technologies in Creative Economy and Creative Society”, Technological and Economic Development of the Economy, vol. 21, no. 6 (2015), pp. 855-868, https://doi.org/ 10.3846/20294913.2015.1036325.
Kymlicka W., Finding Our Way: Rethinking Ethnocultural Relations in Canada, Oxford 1998.
Kymlicka W., Liberalism, Community and Culture, Oxford 1991.
Landry C., Creative Cities, London 2007.
Landry C., The Creative City: A Toolkit for Urban Innovators, London 2000.
Landry C., Bianchini, F., The Creative City, London 1995.
Lovett F., A General Theory of Domination and Justice, Oxford 2010, https://doi.org/10.1093/acprof:oso/9780199579419.001.0001.
Milošević M.R., Milošević D.M., Stanojević A.D., Stević D.M., Simjanović D.J., “Fuzzy and Interval AHP Approaches in Sustainable Management for the Architectural Heritage in Smart Cities”, Mathematics, vol. 9, no. 4 (2021), https://doi.org/10.3390/math9040304.
Musterd S., Gritsai O., “The Creative Knowledge City in Europe: Structural Conditions and Urban Policy Strategies for Competitive Cities”, European Urban and Regional Studies, vol. 20, no. 3 (2012), pp. 343-359.
Pavelea A.M., Neamțu B., Nijkamp P., Kourtit K., “Is the Creative Class a Game Changer in Cities? A Socioeconomic Study on Romania”, Sustainability, vol. 13, no. 11 (2021), 5807, https://doi.org/10.3390/su13115807.
Rembierz M., „Odkrywanie tożsamości żydowskiej w cieniu Holocaustu a dziedzictwo polskiej wielokulturowości – wyzwania dla edukacji i dialogu międzykulturowego”, Edukacja Międzykulturowa, vol. 3 (2014), pp. 39-99.
Rembierz M., Źródła i dylematy tożsamości. Filozofia wobec pytań o treść tożsamości i sens egzystencji, in J. Mizińska, H. Rarot (eds.), “Tożsamość człowieka wobec życia i śmierci”, Colloquia Communia, vol. 2, no. 69 (1999), pp. 16-39.
Rompay T.J.L. van, Jol T., “Wild and Free: Unpredictability and Spaciousness as Predictors of Creative Achievement”, Journal of Environmental Psychology, vol. 48 (2016), pp. 140-148, https://doi.org/10.1016/j.jenvp.2016.10.001.
Sadowski A., “Pogranicze. Studia Społeczne. Kontynuacja i zmiana”, Pogranicze. Studia Społeczne, vol. 13 (2007).
Skarga B., Tożsamość i różnica. Eseje metafizyczne, Kraków 1997.
Sokół A., Słupińska K., “Creative Management of Advertising Form and Content”, Problems of Entrepreneurship and Sustainable Development, vol. 7, no. 2 (2019), pp. 842-861, https://doi.org/10.9770/jesi.2019.7.2(4).
Stachowiak K., “Problemy metodologiczne badania sektora kreatywnego”, Rozwój Regionalny i Polityka Regionalna, vol. 30 (2015), pp. 9-46, https://doi.org/10.14746/rrpr.2015.30.02.
Stein M.J., Stimulating Creativity, New York 1974.
Tischner J., Thinking According to Values, Kraków 1993.
Wenjuan L., “The Role of Trust and Risk in Citizens’ E-Government Services Adoption: A Perspective of the Extended UTAUT Model”, Sustainability, vol. 13, no. 14 (2021), 7671, https://doi.org/10.3390/su13147671.
Downloads
Published
Versions
- 25-02-2022 (2)
- 15-12-2021 (1)
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
How to Cite
Funding data
-
Katolicki Uniwersytet Lubelski Jana Pawla II
Grant numbers 07/DKE/NS/2020
