O estranho caso do romance policial na literatura lusófona
DOI:
https://doi.org/10.12797/SI.13.2014.13.14Keywords:
Portuguese literature, detective story, whodunit novel, thriller, suspense novelAbstract
THE STRANGE CASE OF THE DETECTIVE NOVEL IN PORTUGUESE‑SPEAKING LITERATURE
Today the detective novel has freed itself for good from being considered as marginal literature. It is now built around three sub genres: The whodunit novel, the gritty thriller, and the suspense novel whose frontiers have progressively become more and more blurred as the authors juggle with the rules of each subgenre, melting them in a literary genre they now refuse to dissociate from the main novelistic production. The Portuguese‑speaking detective stories have followed the same evolution. We have chosen to comment upon three Portuguese speaking novels: One by Pepeleta from Angola, the second by Rubem Fonseca from Brazil and the third by Ana Teresa Pereira from Portugal, each one of them representing one of the subgenres of detective literature, so as to find out if they have common specificities peculiar to the Portuguese speaking detective stories.
PlumX Metrics of this article
References
Boileau, P., Narcejac, T. (1994), Le roman policier, Presses Universitaires de France, Paris.
Delas, D. (2009), “Les polars d’auteurs africains francophones”, Cultures Sud: la revue en ligne des littératures du sud, [on line] http://www.culturessud.com – 15.02.2014.
Fonseca, R. (2005), Agosto, Companhia das Letras, São Paulo.
Pepetela (2012), Jaime Bunda e a Morte do Americano, Publicações Dom Quixote, Lisboa.
Pereira, A.T. (1996), Num Lugar Solitário, Caminho, Lisboa.
Todorov, T. (1971), “Typologie du roman policier”, em: Poétique de la prose, Seuil, Paris, pp. 55‑64.
Wieser, D. (2005), “Pepeleta: «O livro policial é o pretexto»”, Espéculo. Revista de estudios literarios, [on line] http://www.ucm.es/info/especulo/numero30/pepetela.html – 15.02.2014.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Pierre‑Michel Pranville
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.