Daughters of Trauma

Women as Sites of Nationalistic Appropriation in Partition Cinema

  • Roshni Sengupta Jagiellonian University in Kraków
Keywords: Partition, feminist approach, memory, cinema, nation

Abstract

This paper attempts to delineate and focus on the common narrative thread running through subsequent cinematic treatises on the situation of women during the Partition, particularly those kidnapped and sexually violated during the vivisection. It proposes to construct a cultural and memorialized history of the Partition through a reading of mediated representations of literary engagements with the event, particularly the narrativization of the cinematic trope of the ‘radicalized’ Muslim and his involvement in the abduction of “chaste” Hindu women during the cataclysmic event. In doing so it considers films such as 1947-Earth (1999), Pinjar (2003), and Khamosh Pani (2003) as seminal films addressing female abductions during the Partition and the memorialization of trauma through cinema. The paper takes a feminist approach to addressing the question of the possession of the female body as the symbolic occupation of the nation.

Author Biography

Roshni Sengupta, Jagiellonian University in Kraków

is Visiting Professor at the Institute of Middle and Far Eastern Studies, Jagiellonian University. She received her doctorate in Politics from Jawaharlal Nehru University, New Delhi and completed post-doctoral research at the Leiden Institute for Area Studies (LIAS), Leiden University as a IBIES Erasmus Post-Doc Fellow in 2015-16. Roshni’s first book on the representation of Muslims in popular Hindi cinema is forthcoming in December 2019 with Primus as she continues to work on two edited volumes on media and literature after the Partition (Routledge).

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Published
2019-12-31
How to Cite
Roshni Sengupta. 2019. “Daughters of Trauma: Women As Sites of Nationalistic Appropriation in Partition Cinema”. Politeja 16 (2(59), 139-48. https://doi.org/10.12797/Politeja.16.2019.59.09.