Queerizações da Música Popular de António Variações

Autores/as

  • Paulo Pires Pepe Universidad de Nottingham

DOI:

https://doi.org/10.12797/SI.13.2014.13.42

Palabras clave:

António Variações, queer

Resumen

QUEERING ANTÓNIO VARIAÇÕES’S POPULAR MUSIC

Across the centuries, religious and secular institutions have persisted in governing our bodies and legislating against gender, sexuality and sexual acts considered to deviate from prescribed norms. Music has been scrutinised in comparable ways by religious and secular institutions due to its emotional appeal. Thus, in this article, I will analyse two songs by António Variações, entitled Canção de Engate and Onda Morna that present a subliminal homoerotic theme. I will draw attention on this article to how music is used by Variações to express non‑normative sexualities and desires and how this facilitated expressions of queerness and queer identity.

Referencias

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Brett, P. (1994), “Musicality, essentialism, and the closet”, em: Brett, Wood, P. E., Thomas, G. C. (eds.), Queering the pitch: The new gay and lesbian musicology, Routledge, New York, pp. 9‑26.

Carvalho, E.M. (1983), “António Variações: Quero ser um músico popular”, O País, 380, pp. 10-15.

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Joyce, V.M. (1997), “What’s so queer about composing? Exploring Attali’s concept of composition from a queer perspective”, Popular Music and Society, 21, pp. 35‑59. DOI: https://doi.org/10.1080/03007769708591678

McClary, S. (1991), Feminine endings: Music, gender and sexuality, University of Minnesota Press, Minneapolis.

Descargas

Publicado

2014-12-30

Cómo citar

“Queerizações Da Música Popular De António Variações”. 2014. Studia Iberystyczne 13 (December): 551-62. https://doi.org/10.12797/SI.13.2014.13.42.

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