Remarques sur les versions paléographique et critique du Cantar de Mio Cid

Authors

  • Witold Mańczak Uniwersytet Jagielloński, Kraków

DOI:

https://doi.org/10.12797/SI.10.2011.10.07

Keywords:

Cantar de Mio Cid, Old Spanish vide/vido, su/so, cuemo/quomo, “paradigmatic resistance to sound change”

Abstract

Notes on Paleographic and Critical Versions of the Cantar de Mio Cid

According to Yakov Malkiel, Old Spanish forms vide < Latin vīdī and vido < vīdit are to be accounted for by what he calls “paradigmatic resistance to sound change”. The present writer believes that such a phenomenon does not exist, he examined all forms of the verb ver < vidēre in Cantar de Mio Cid and arrived at the conclusion that in the original version of the poem there were no forms with intervocalic -d-, while the forms vide, vido were arbitrarily introduced by Menéndez Pidal. The article also deals with the possessive pronouns mi/mio, su/so and forms like cuemo/quomo.

References

Baist, G. (1888), “Die spanische Sprache”, en: Gröbers, G., Grundriß der romanischen Philologie, I, Straßburg. DOI: https://doi.org/10.1515/9783111621425-024

Malkiel , Y. (1960), “Paradigmatic resistance to sound change. The Old Spanish preterite forms vide vido against the background of the recession of primary -d-”, Language, 36, pp. 281-346. DOI: https://doi.org/10.2307/410959

Malkiel , Y. (1968), “The Inflectional Paradigm as an Occasional Determinant of Sound Change”, en: Lehmann, W.P., Malkiel, Y. (eds.), Directions for Historical Linguistics, University of Texas Press, Austin, pp. 21-64.

Malkiel , Y. (1969), “Morphological Analogy as Stimulus for Sound Change”, Lingua e Stile, 4, pp. 305-328.

Malkiel , Y. (1976), “Multi-conditioned sound change and the impact of morphology on phonology”, Language, 52, pp. 757-778. DOI: https://doi.org/10.2307/413294

Malkiel , Y. (1977), “Il paradigma flessivo come fattore determinante di mutamenti fonetici”, en: Lehmann, W.P., Malkiel, Y., Nuove tendenze della linguistica storica, Bologna, pp. 33-75.

Malkiel , Y. (1980), “Etymology as challenge to phonology. The case of Romance linguistics”, Lautgeschichte und Etymologie. Akten der VI. Fachtagung der Indogermanischen Gesellschaft, Wiesbaden, pp. 260-286.

Men Éndez Pidal , R. (1969), Cantar de Mio Cid, III, 4e éd., Espasa Calpe, Madrid.

Sapir, E. (1921), Language. An Introduction to the Study of Speech, Harcourt, Brace and company, New York.

Published

2011-06-24

How to Cite

Mańczak, Witold. 2011. “Remarques Sur Les Versions paléographique Et Critique Du Cantar De Mio Cid”. Studia Iberystyczne 10 (June):119-25. https://doi.org/10.12797/SI.10.2011.10.07.