Visual Metaphor as an Intersemiotic Translation Technique: the Case of Peter Jackson’s "The Lord of the Rings"

On “Dangerous Liaisons” Between Literature and Film

Authors

  • Aleksandra Stodolna Jagiellonian University, Kraków

DOI:

https://doi.org/10.12797/MOaP.23.2017.36.07

Keywords:

intersemiotic translation, visual metaphor, film

Abstract

Literature and film, since the birth of the latter, have been developing together and influencing one another. Although incomparable on the constructional level, those two arts are similar in nature. Narrative techniques applied in literature and film are interrelated: they use many similar techniques to tell their stories, but above all, they use similar techniques to evoke emotions in their audience. In their analyses, Film Studies researchers often evoke two basic factors: plot and emotions – these are the bases for comparison between film and literature, for discerning intersemiotic translation techniques, and also the baseline for my short analysis. In this paper, I will start with pointing out a few key issues related to intersemiotic translation in the context briefly discussed above, then pass on to visual metaphor: its structure, types, and possible functions, and finally – to case studies that will illustrate how filmmakers use the visual metaphor in their work: “light is good/dark is evil” metaphor and the case of Sméagol/Gollum’s split personality in The Lord of the Rings trilogy directed by Peter Jackson.

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References

Primary:

Tolkien J.R.R. (2004), The Silmarillion, Houghton Mifflin, Boston.

Tolkien, J.R.R. (2005), The Lord of the Rings, Houghton Mifflin, Boston.

Secondary:

Aldrich, V. (1968), “Visual metaphor”, The Journal of Aesthetic Education, 2, 1. DOI: https://doi.org/10.2307/3331241

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Forceville, Ch. (2009), “Multimodal metaphor”, in: Applications of Cognitive Linguistics, De Gruyter, Berlin. DOI: https://doi.org/10.1515/9783110215366

Forceville, Ch. (2012), Light and Dark in Feature Film, University of Amsterdam, Amsterdam.

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Sibley, B. (2002), The Lord of the Rings: The Making of the Movie Trilogy, Houghton Mifflin, Boston.

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Wysłouch, S. (2013), “Adaptacja filmowa jako przekład intersemiotyczny”, in: Heydel, M., Bukowski, P., Polska myśl przekładoznawcza. Antologia, Wydawnictwo UJ, Kraków.

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Published

2017-06-30

How to Cite

Stodolna, A. (2017). Visual Metaphor as an Intersemiotic Translation Technique: the Case of Peter Jackson’s "The Lord of the Rings": On “Dangerous Liaisons” Between Literature and Film. Między Oryginałem a Przekładem, 23(2 (36), 117–128. https://doi.org/10.12797/MOaP.23.2017.36.07